Tag Archives: 13 rue Thérèse

telling the dream

How did we blow past Thanksgiving already?  Is the speeding of time a feature of getting older?  Am I going to be on my death bed soon wondering how the hell that happened?  The answer is, of course.  Sometimes I’m still in a state of dull shock when I realize it’s no longer 1998.  Then I look in the mirror at the little furrow between my eyebrows that used to only be there when I woke up in the mornings and my head explodes.

That furrow is a permanent resident on my face now, and will do nothing but deepen.  I named that furrow George W. Bush.  I have not yet decided which of my body’s signs of aging I will call Dick Cheney.  I may be saving that one for something chronic, painful, and insidious, like an ulcer.

But, let’s talk about something brighter than my inexorable decay.  Guess what?  13 rue Thérèse was nominated for an award!  The International IMPAC Dublin Literary Award, to be exact.  Pretty sweet, no?  It’s always lovely to be surprised by a bit recognition from the outside world as I toil in my writerly cave.  It gets pretty hermity in here.  (I just looked up the correct adjectival form of “hermit” and it’s “heremitic,” but I much prefer “hermity.”)

Speaking of the writerly cave, I did a revision of In the Red over the past couple of months.  I am going to give it another once-over, then send it along to my agent.  It’s always weird to have another human being read something that’s been simmering sealed away in my head for years.  It’s a real passage, and it always comes with a big dose of trepidation.  I was once asked by an interviewer about what my greatest fear is when I turn in a manuscript.  I said that turning in a manuscript is like trying to tell someone about an intense dream you had: it may just turn out to be incoherent hash and leave you looking like an idiot.  Scary, no, when you spend a couple of years and 80000 words telling the dream?

little pieces of me going home

13 rue Thérèse is finally out in France!  Hooray!

Image

 Is that cover sexy, or what?  I think I like the purple even better than the red they had on the spec cover.  I have yet to see it in person, and I am totally dying to do so.  Hurry up and send me my copies, Michel Lafon!

In other news, I am officially a crazy orchid lady.  What can I say?  They are awesome, for a whole list of reasons:

(1) They are cheaper than a bouquet of cut flowers, plus I don’t have to kill anything to brighten my home.

(2) They are pretty and colorful and, let’s face it, pretty lewd-looking–especially when the bud is first splitting open.  Any flower that freaked out Victorians is a friend of mine.

(3) They are low-maintenance lifeforms that somehow manage not to succumb to my black thumb.

(4) The cats thankfully do not seem to be interested in eating them, probably because the orchid is one of the few houseplants that will not poison them!  (Huh.  I wonder how much of an overlap there is between crazy cat ladies and crazy orchid ladies…)

Here is a little gallery of the new friends I have acquired since I last posted on this blog:

hermitting

I have been remiss in updating this blog, and generally hermitting.  It’s been for good reason!  The baby is crowning.  If I haul a lot of ass, I will have a full draft of In the Red by the end of of July.  If I haul less ass, by the end of summer.  Pretty sweet, no?

Meanwhile, some neato news while I hermit:

13 rue Thérèse is finally coming out in France in August, from Michel Lafon.  Here is the link to pre-order from Fnac, which is like the French Barnes & Noble.  Squee!  Just thinking of a French edition of my book being in their big-ass store in the Forum des Halles right near where I grew up makes me all tingly!  Here is the cover, all tiny because I suck at technology:

I am wee.

• Also, whilst googling myself to see whether anyone on the internet has posted that I like to bathe in the blood of Christian babies, I found this lovely review of my story “Commuting” in Zyzzyva, on Ruelle Electrique, an online literary salon.  It’s their “unabashed favorite from the issue!”  “A rich story” teeming with “grit and beauty!”  How does randomly finding something like this make a writer feel?  Why, it fills said writer with hearts and butterflies!

is all I’m sayin’

exciting developments, including a titanic breakfast

13 rue Thérèse is now out in paperback!  With a sexy quote from USA Today right on the cover–rowr.  In celebration, I am changing the link on the side of this page.  If you click on the cover of my book, it will now take you to the amazon page for the paperback rather than the hardback.

13 rue Thérèse also just launched in Poland!  Plus the Italian paperback came out and the cover looks totally different.  Check it out:

(Sorry I could not find a larger image!  My googlefu is weak.  Anyway, saucy, no?)

Short story-wise, I have one out now in The Farallon Review.  It’s got dogs!  And creepy bad things happen!  Do creepy bad things happen to the dogs?  Only one way to find out: get a copy of the journal…

In the Red-wise, I just passed the 200-page mark earlier this week.  I think that’s probably about two thirds of it.  So, this week, instead of Sophomore Novel Angst, I have a case of Sophomore Novel YAY, which is way more fun as syndromes go.  Sophomore Novel YAY manifests as an early morning trip to a diner to feast on something called The Volcano.  The Volcano is composed of: three giant buttermilk pancakes with syrup, two eggs sunny side up on top, and four slices of bacon.  Is this a great country or what?

Yes, I ate the whole thing, and no, I regret nothing.

the most fantabulous review in the history of ever

I haven’t been posting lately because I am eyeball-deep in my Romanian collective unconscious document (I should have a complete draft in a few days which will be something like 18,000 words, or about 65 pages).  It’s a whole lot of dreamlike WTF, and after I am done I will have an underlying structure on top of which I will start overlaying the main plot of In the Red.  But–I had to briefly emerge from my blogging moratorium to share with you guys the most fantabulous review in the history of ever, courtesy of Simon Schama at The Financial Times.  I so, so hope that this review is blurbed on the softcover edition of my book.  Actually, here–please vote on which blurb should be prominently featured on the next edition of 13 rue Thérèse:

 

Dear Mr. Schama, I shake your hand.

Vita privata di una sconosciuta

People of northern California!  Listen to me embarrass myself this coming Monday, February 21st at 3 PM!  I will be on KPFA 94.1 ‘s Cover to Cover.  Live radio, dudes.  Yikes!  I got a little bit of practice this week being taped for the Stanford Storytelling Project, but they will be able to edit me to sound articulate!  So, on Monday I will have to watch for my verbal ticks, such as “um,” and “like,” and “fuck.”  (Yes, I have a propensity for saltiness.)

Meanwhile, I am getting published in Italy this week by Garzanti:

They even made a book preview video!  I don’t know what it says, but it looks sexy:

Is that something about “saint or sinner?”  Sweet.  Oh, by the way, the title in Italian means “Private Life of an Unknown Woman.”  I don’t know why they changed it, but I don’t mind it.  I actually find it really interesting how they translate and market stuff in other countries.  I can’t wait to see what the book actually looks like!  Not that I will understand it, but I am still excited.  I just love iterations of stuff.  When the Russians get around to translating it and I see the thing in Cyrillic, I will surely plotz.  So cool.

This week I also bought a lovely black dress that will be perfect for author-type functions (first public reading next Friday EEK!).  I love the way Calvin Klein skates the line between foxy and austere.  (Lest you think I am getting too swank: I bought it at Ross for fifty bucks.  This after cashing a very large publication day check.  I know, I know: I don’t know how to live it up.  But–I did make another one of my giant student loans disappear with that check.  That’s right, I AM COMING FOR YOU, STUDENT LOANS.  SOON YOU WILL ALL DIE.)

Publication Day: The Beast is OUT.

Here I am between David Sedaris and Anita Shreve in the wilds of my local Barnes and Noble:

While I was dorking out taking this picture, a nice couple stopped by and asked me if I was the author and I said yes and they read the back of the book and then they bought it and then I signed it.  WHOA.  (Signing felt like a minor act of vandalism but I guess I’ll get used to it…)

Much stuff has been happening.  I got to write guest posts for BookPage and 1st Books: Stories of How Writers Get Started.  I’ve been getting lots of blog reviews–I think more than I can keep track of.  My favorite cranky review said that I am a bad, smutty writer like that awful DH Lawrence.  That is the most wonderful way I’ve been insulted, ever!  The crudity of my language is apparently reminiscent of Lady Chatterley’s Lover, which was published in 1928–and 13 rue Thérèse is set in 1928, so I feel like I win at life.  I managed to capture that 1928 flavor.  Sweet.

Of course, the reviews that moved me the most were the good ones where it looked like I connected with the readers.  How awesome!  It is why I got into this whole publishing racket in the first place.  So, to all the people out there who enjoyed my book and got something true out of it, I give you a great big virtual hug.

Meanwhile, to keep myself from exploding with the anxiety of all these developments (it’s all very elating but my body is in an undeniable state of alarm, my brain constantly morse coding out this is…  not…  normal… commence…  freaking out…), I have been writing this random Gothic diptych about dead dogs.  I know.  Brains are weird.  I just finished a draft of Part One today.  Tomorrow I will begin Part Two.  Oh–and speaking of short stories, I will have one coming out with Five Chapters next week, which will rock my socks.  It’s a great website: they publish a new story every week, serially from Monday through Friday, so you can go back every day for new content.

Okay.  I am going to go try to not explode.  It’s going to be increasingly hard because I got word that my book is going to be in the New York Times Book Review on February 13 and I am absolutely shitting bricks.  Please please please be gentle with me, unknown NYTBR reviewer…

(I must develop some kind of emotional coping mechanism for this attention I’m getting.  That, or a drug habit.  Whoa, you guys, I just explained all of Hollywood to myself.)

a blue mist

Jonathan Harker may be my favorite dumbass in English literature.  His finest moment comes early in his sojourn in Dracula’s castle.  The count visits him in his room while he’s shaving.  Wolves are howling right outside (“Children of the night, what music they make!”), there is a blue mist creeping everywhere, and when Dracula notices that Jonathan sees that he casts no reflection in the shaving mirror, he shatters it with his mind.

Jonathan’s reaction: oh no!  Now I can’t shave.

I felt a bit like that when I woke up this morning and noticed that there was an uptick in the number of visitors to my blog.  Where did they come from?  The link in my stats read “The New Yorker.”  Surely that couldn’t be right.  I clicked.

My reaction: huh.  Well, this explains the increased traffic to my blog.

Followed by an intense surge of nausea, which is how I react to all strong emotions, especially the positive ones.  So–wow.  That was amazing.  So–this is what it feels like to be caught in the gaze of an animal much bigger than me.  (Hello!  You are a stunning entity.  Please don’t bite.)

Inadvertently brilliant casting, or just brilliant? Discuss.

a new artifact

After practically exploding with impatience after seeing the squeeing from my publisher about how pretty the book is, I have received an actual physical copy of 13 rue Thérèse.  After so many years, it has finally leapt out of my head and materialized.  Here it is, a dream image made real.  Amazing.

My husband is next to me right now, flipping through it like it’s a…  it’s a BOOK.  Holy shit.

It is really beautiful, smashing work on the part of the publisher.  The colors, visuals, texture of the paper, everything.  It is truly the object I imagined it might be.  It even smells nice!

I am going to go around carrying this thing everywhere like a child with a security blanket.  When the whole box of them comes, I will have to celebrate in some cathartic way.  Maybe pile them up on my desk and snort them like Al Pacino in Scarface?  Damn, no: too big to snort.  Pour them out on my bed and roll around naked in them?  Wait–ow–too many corners.  Hmmm.  I’ll have to figure out something.  I can’t believe this thing exists!

Here it is, just-a-existin’:

Other cool stuff: this article on Shelf Awareness about the awesome website, and a wonderful review of the book on Alison’s Bookmarks that made me feel all squishy.  Okay, bye!  I have to go hug my baby some more.

A resolution, a review and… warped gravity!

I am publicly making a new year’s resolution: In 2011 I will write a full draft of In the Red.  It may suck, but it’s happening.  Hopefully at this time next year I will not be writing a sad blog post about how extravagantly short I fell of that goal.

13-rue-Thérèse-wise, I just got a review on Booklist, a mostly good one.  Since it is behind a pay wall, I can’t link to it, so I will quote the best bit here:

This ambitious first novel…At turns truly exciting and overflowing with imagination,…is full of intriguing characters…  Puzzle-lovers will be curious to check out the book’s online counterpart, in which they can view 3-D versions of the book’s images.

Yay!  I think that is the last of the pre-pub reviews in industry papers.  I am glad they mentioned the website because it is shaping up to be ferociously awesome.  It will come online January 7.

Meanwhile I just got back from a tiny holiday in Santa Cruz, where I got to visit with an old friend, witness sea lions doing alternately endearing and disgusting things, and experienced radically altered gravity.  That last one was at the Mystery Spot.  My husband and I were prepared to be underwhelmed (being inveterate skeptics) but it was really, really weird, and thus I recommend it.  If you’re into the idea of feeling like you need a barf bag while standing still on solid ground, it will rock your world.  The warped pendulum was especially cool.

The property was purchased in 1939 by a dude who wanted to build a summer home, and the guy who sold him the lot insisted that he also buy a big piece of land up the side of the hill even though it was unbuildable.  The man who absolutely had to shed the property lacked capitalist vision.  The purchaser, however, did not.  And thus, an amusing tourist trap was born–because who wouldn’t pay five bucks to watch a billiard ball roll the wrong way up an incline?

 

Addendum, after being told, “duh, don’t you know mystery spots are just optical illusions:” It doesn’t interest me whether they are “real” or not.  All I’m saying is that I got a sense of the uncanny there that was well worth the admission price.  I am not angry with the director of House of Wax for not having actually thrown a stake through Paris Hilton’s head.  (Wait, come to think of it, maybe I kind of am…)