at any time you may let go

You don’t believe them when they say you are young.  And yet look in the mirror: a smooth jaw, an unlined eye.  There must be some mistake.  Your face does not match the leaden weight of the sluggish blood stagnating in your veins.  It’s not so much that you’re suffering terribly; it’s that you’re waiting.  Waiting in the same way an elderly patient on a morphine drip waits in his hospital bed: too many surgeries, time to go.  Waiting for it to come get you, the queasy suspicion growing that it will not, you are the one who is supposed to let go.  How does one do that?

After he sent you away, you started to lose your hair.  You did not even notice until the day the barrette you used to clip it into a pony tail every morning slips right off because there is no longer enough to hold it there.  The jarring tinny sound of it hitting the tile–only now do you see the serpentine strands circling the drain in the shower all this time–all those mornings you had glanced them over without understanding what was happening.  You were not in your body.  There is a dim awareness within you that this is supposed to be sad.  When he withdrew from your body, he must have taken you out of it with him.

These days, you count a lot.  You do it with such fast, machine-like exactitude that once or twice a wary customer asked you to count the money again slower.  Twenty.  Forty.  Sixty.  Eighty.  One hundred.  You lay each hundred dollars in a fan of twenties overlaying the previous fan of twenties.  Then you gather them all up, tap them into a neat little stack to hand over.  You have found that only lemon juice gets the smell of cash out of your hands after a long workday.  It burns all the little cuts in your palms from the new bills.  Counting the old bills does not cut you.  Being in circulation has softened them.

At any time now, at any time you may let go.  When you come to me I will make you live.

Here is the UK cover!

I am not real people; I like to tell stories and sleep a lot.

My health has kind of sucked lately, which unfortunately means I haven’t written anything in a while.  My ideas for my next book are sort of suspended in amber right now while my body is being an ass.  But, I got another blurb for 13 rue Thérèse and it is totally huggable, check it out:

13 rue Therese is a wildly imaginative, multifaceted, confection of a novel.  Like a master magician, Elena Mauli Shapiro gently introduces the beguiling Louise, and asks us to participate in solving her many mysteries.  Louise’s story, we are warned, has ensnared many great minds.  By the novel’s heady conclusion, we too have fallen captive to this most mischievous and provocative heroine.

–Maria Semple, author of This One is Mine

What a lot of great adjectives!  I eat them up.  Nom nom.

Meanwhile I got a confirmation e-mail for my reading at Litquake’s Lit Crawl on October 9th in San Francisco and I am very excited about it.  Not least because the e-mail included stuff to paste on my blog.  Because I am a big dork, I love to paste stuff.  Witness:

If you click on that cute little sticker, it will take you to the Litquake site listing all the cool events for the whole festival.  The specific event I will be reading at is listed here.  I also put it on my Events page.  Lit Crawl looks like a ginormous literary progressive, like bar-hopping with stories.  After the whole shabang, I have been invited to this party for which my name was put on a list.  Whoa.  I am also having business cards printed (a couple of people at the Sacramento panel asked me for one, which totally confused me, until I realized that I look like a grown-up, and technically maybe even a professional, and that I should have one).  Plus I finally broke down and acquired an iPhone.  All these things are harbingers of definite adulthood but I refuse to pay attention.  (Adults have great toys though.  Did you know that the primary function of the iPhone has nothing to do with telephone calls and everything to do with Pacman and taking goofy videos of your cats?)

Speaking of adulthood, when signing up for the iPhone, I had to go through this big security rigmarole during which I was asked about my mortgage and car loans.  Ha ha ha ha ha ha ha!  Real people with real grown-up jobs at which they have to wear real grown-up clothes and use hilarious words like “synergy” and “productize” and “thinking outside the box” have mortgages and car loans!  I am not real people; I like to tell stories and sleep a lot.  I know: I am a bad, bad American.  Maybe it is because I am a native speaker of French but I cannot hear the word mortgage without being overly reminded of its etymology, which comes from the French “mort” and “gage,” literally: DEATH PLEDGE.  Oh dear.  Why would I want to sign up for one of those?

While we ponder that, here is another sticker for the road:

peeking around the stage curtain

I spent the evening in Sacramento at my first speaking engagement as an author!  It was a novel writing & publishing panel at UC Davis Extension, where I’ll also be teaching a course in about a month.  Anyway, I got to chat about my book and how it came to be, from inception to the travails of getting it represented and published.  It was the largest audience I have addressed so far (around 80?) save for the one time I got to introduce Tobias Wolff to an auditorium of about 300.  It was somehow not nerve-wracking at all; I guess all the teaching experience is good for making you mellow in front of groups of people.  When I did the Tobias Wolff thing five years ago, I was all shaky and suspected I might pass out!

While I was there, I got penciled in by some Sacramento library organization for a book round table thingy in March that sounds pretty fun.  When I get the e-mail with the details, I should forward it to my publicist to make sure it’s okay.  One of the other writers on tonight’s panel keeps a literary blog and asked if I could have my publisher send her galleys to review.  The lesson here, I guess, is that speaking engagements come with crazy amounts of networking.  Cool, because I suck at seeking that sort of stuff out for myself.

Other exciting buzz-type stuff: galleys are clearly being sent out to book bloggers.  I googled myself to find out what a prospective student might see if they searched for me and found this, this, and this.  That last one has a photo of the adorable package the book came in, with wrapping paper that matches the lid of Mme Brunet’s box, a tin of French candies, and a personal note from my editor.  Damn yo, Reagan Arthur Books knows how to do it up nice.

So, sleepy time for me.  It will be pleasant to drift off thinking there are people out there in the great big universe who are excited to read my baby.

The Writing Workshop, or, Only Do This to Yourself if You Crave Intense Discomfort.

A while back, I wrote a post on stages of the writing career from the point of view of submitting.  I thought I’d track the writer’s progress from the point of view of the Creative Writing Workshop, given that a writing career, these days, almost inevitably involves undergoing a whole series of them.  Here, then, are my findings:

Phase 1: Crippling Terror and Impostor Syndrome

This is a normal response when confronted by the format for the first time.  Having your piece workshopped is an exercise in naked fear, and when it’s up you take frantic notes on everything everyone says since you can’t spend any energy processing the feedback: all your attention must be channeled towards not bursting into tears like a little girl.  Your face is a particular shade of crimson that immediately identifies you as a workshop newbie, which will cause a kind-hearted instructor to go easy on you and a hard-assed one to plow into your guts with renewed vigor.  When giving feedback on other people’s work, you are merely blindly stumbling, trying not to look like too much of a clueless dumbass.

• Phase personally undergone in: 1997, during my first two workshops in college.

Phase 2: Grinding Along

You are now comfortable with the workshop format.  You have mastered the compliment sandwich when delivering your feedback on peer manuscripts.  You write down most of what they say when your work is being critiqued, but know to put your pen down when you hear something obviously spurious.  The quality of your work may be stationary or improving slowly.  It draws a genuine compliment here and there–but you are by no means comfortable: every time you are up, you still receive a beatdown that feels worthy of a gang initiation.

• Phase personally undergone in: 1998-99, later college workshops, then 2004-05, first year in MFA program.

Phase 3: OMGWTFBBQ

Something is happening to your writing.  You are not sure what, and neither are your peers.  Discussion of your work will generally begin with a class-wide flummoxed silence.  The feedback you receive might be very tentative, because nobody is sure whether you mean to be doing what precisely you are doing–whereas before they knew you didn’t.  You are a puzzlement to them and to yourself.  Your instructor might not quite know what to do with you, and might say cryptic things like, “I’m not sure I’m qualified to give feedback on this particular genre,” or might compliment your work using more specific words than the standard “good,” like “seductive.”  Your feedback to your peers is exceedingly thought-out and careful; you treat them as if they are in the same delicate transitory state as yourself.  You do not know if any of this tremendous upheaval is a good sign.  You suspect you might be going insane.  You write down very little of the peer feedback your receive; at least you have become an adept sifter.

• Phase personally undergone in: 2005-06, second year in MFA program.  By the time I finished the program I felt as if I’d been shot into space.  Complete disorientation.

Phase 4: Workshop Transcendence

Seriously, this happens.  This does not mean your work is universally liked, but it does mean that it has acquired authority–so that your peers are aware that you mean your text.  Your work is crafted; it knows what it intends; they will not quibble with that.  You will receive little to no prescriptive advice.  Instead your peers will sit around analyzing your work like literature students, drawing various interpretations (this is actually quite useful, as it highlights which themes are visible to the audience and may help you decide what needs to recede and what needs to be further brought out).  Your instructor may say some crazy stuff like, “this is a perfect story,” which will effectively bring the proceedings to a complete standstill while you shit a brick.  Your feedback to your peers may have reached instructor-grade.

• Phase personally undergone in: 2009-10, taking two workshops while in my PhD program for fun and/or needful units.

Advisory to aspirants: All of the workshop phases are characterized by mild to intense discomfort (even Transcendence involves shitting a brick).  Completion of all phases qualifies you to be at the head of the workshop table as a beginner instructor, which will in turn bring on Cycle 2 of Crippling Terror and Impostor Syndrome.  Good luck with that.

The White North, Great and Less Great

So, I am taking my summer vacation in the Great White North.  It’s been a real peaks and hollows experience so far!  The first half of the trip was in Alaska, which was fantastic.  I think last Thursday had to be one of the top five best days of my entire life: I went dog sledding on Punch Bowl Glacier.  What a stunning experience, and what a perfect day for it too: clear weather for the scenic helicopter ride up and doggie drive.  Actually, let me go ahead and attach a public link to my facebook photo album chronicling the experience, because I think prose will come up short–pictures are needed.

Then when I got back down from the glacier, the husband & I went on a hike into the rain forest on a trail right behind the Alyeska Hotel grounds, a trail that goes to freaking Narnia.  Unbelievable.  So gorgeous, and there was a hand tram over the rapids that you could use to pull yourself across.  You can look down at the swirling waters below right through the grid floor of that swaying little death bucket.  It will make you shit yourself, and it is awesome.

And then…  Then there was the cruise ship that we were supposed to take from Anchorage to Vancouver, which was pure unremitting hell.  First of all, it turns out I am extravagantly seasick.  I had to get a shot in the ass my first night there, and had to stay on heavy medications that put me in this scary twilight place in order not to puke myself dead.  When we finally docked in Juneau on the third day, we simply had to get off.  Oh my God, I could have made out with the ground pope-style.  Anyway, I got a note from the nice onboard Romanian doctor whose name was–I am not making this up–Vasilica Andreescu.  (I have two main characters in my current book named Vasilii and Andrei so it was a little spooky.)  This note should, hopefully, help me get a partial refund from the travel insurance.  I hope, otherwise this cruise will turn out to be one of my costlier mistakes!  Anyway, we took a plane down and are now in Vancouver. I have yet to experience the city but I am pretty sure I will always, always love it for not being a fucking cruise ship.

The whole cruise universe, even besides the seasickness, is definitely not for me.  There were political undertones there that sent every Liberal White Guilt gland in my entire body into overdrive.  All the people staffing the ship were from developing nations, and so floridly solicitous that it made me feel sorry for them.  It made me suspect they had been to some kind of terrifying Customer Satisfaction Re-Education Camp.  I wanted to ask them, “if you do not please us, do they beat you?  It’s okay, you can answer, I won’t tell them.”  They made me want to write an HG Wells-type dystopia set on a cruise ship, where the crew are entirely subjugated by the fat, blank-faced passengers, but whenever one of the passengers becomes ill or weak, the crew eat him–or better yet, serve him as the chef’s special to the other passengers.  Think about it: the confinement, the forced cheeriness, the strict hierarchy; it’s like a massive floating allegory.  What a perfect setting for spine-tingling creepiness.

The awesome dog sledding experience, on the other hand, might prompt me to produce some Jack London-type stuff.  If I somehow merge the two genres, Call of the Wild & Cruise Ship Dystopia, then I could give birth to a terrifying hybrid.  But no.  I will not taint the wonderfulness of the Great White North with the grubby queasy Royal Caribbean microcosm.

One thing that was worth it about my miserable time on the ship was seeing Hubbard Glacier.  It was so gorgeous, and so many layered shades of blue–I’m so glad I got to see that before all the ice up there melts, courtesy of us humans.  The ship pulls right up to it and lets the horn rip a few times, which, if you’re lucky, causes some pretty spectacular calvings,  It certainly did this time; a section of ice that must have been the size of a ten-story building detached and collapsed so beautifully it took my breath away.  Actually, it kind of looked like what desire feels like: the softening from growing heat, hairline cracks snaking their way through an entire structure just waiting to give, waiting for the right stimulus–something as slight as the vibration from a sound wave–to yield.

tell us this is going somewhere

One Flew over the Cuckoo’s Nest is a fantastically fun text to teach.  It’s rowdy, hilarious, a touch dangerous.  It’s about conformity and imprisonment, themes that will be of special interest to any student.  A section that is especially worthy of discussion is the revelation that all of the inmates save McMurphy are in the asylum voluntarily.  Why are they there?  A rich and puzzling question to answer.  At that point I always like to say, “it’s a lovely day outside today.  Why did you decide to come here, to this airless, windowless basement room to have me talk at you for two hours?  Why are you here, now?”

because we’re expected to be
because they made us
because we’re bored
on the off chance you’ll say something interesting
on the off chance you’ll embarrass yourself
because a friend is here
because we lack imagination
we have nowhere else to be
because it’s better than a job
because it’s  better than nothing
because we’re scared
because we’re curious
because we paid for it
it’s not so bad
who says we’re really here?
because we don’t want them to hurt us
because we don’t want to hurt them
we want a future
they tell us we have no future unless we’re here
we’re used to it
we hope you’ll teach us something
tell us something that’ll make us ready for out there
because you’re kind of funny
because this a break from our other classes
because it’s required
(at least we think so)
(that’s what they tell us anyway)
because it fits into our schedule
because this is where everyone else is
we don’t want to be left out
on the off chance something weird happens
it gives us something to do
we’re used to it
it’s not so bad
we want
hey, why are you here, anyway?
tell us
this is going somewhere

domesticating subversive elements

From the Awesome Files: more people have reached my blog in the past month by looking up “Cheez Doodles” than my name.  This is due, of course, to this post.  Plus there has also been an uptick in public Cheez Doodle curiosity due to the fact that Morrie Yohai, Doodle Creator, died recently.  His life was kind of awesome.  I recommend googling him.

Lately I have been chatting with the English editor about the UK edition of my book.  There will be a few textual differences, plus the afterword will be a foreword because their copyright laws over there are intense.  You have to be really careful when writing a work of fiction based on actual artifacts, so much so that they are trying to cram my lyrical, dreamy-eyed background story full of painfully awkward legalese.  Ouch.  Such is life.

Lately I have also done a whole bunch of messing around with this blog.  If you’ve visited more than once in the the past couple of days, you’ve probably seen the color scheme change.  For a while I had it set up as white text on a black background.  It looked kind of sexy and made photos really pop, but I received such vociferous objections to its illegibility that I backed off into this cream-and-blue color scheme.  Not quite as striking, and thus it should prove less offensive to certain visual sensibilities.  Oh, and guess what?  I added an “events” page!  Because I am starting to get booked for events!  Very exciting.  I also added a placeholder “press” page.  Do check it in you’re in the mood for goofiness.  If you click on the photos, you can see them in their full-sized glory.

Today I read this rather interesting article on Slate called “The strange comforts of reading Mark Twain in the age of oppositional defiant disorder.”  It does offer some cheer with its sweetly quaint observation that children have always been the same, before their behaviors were pathologized with excessive medical diagnoses.  I didn’t buy the pat faux-nostalgia at the end of the article though.  Things were better for rowdy children in the nineteenth century because they could grow up to strike out into the wilderness?  Please.

Yes, the way we castrate the brains of unmanageable children with medication is shameful.  But it wasn’t any easier to be different back then.  Shaming and brutal corporal punishment don’t sound all that much more humane than Ritalin to me.  The truth is that society always has and always will attempt to smother subversive elements.  That is a great deal of what education is for.  Do you remember, I mean truly remember, how awful school could be?  I recall quite vividly sitting in science class in ninth grade, so painfully bored that my very personhood was slowly unwinding like fraying rope.  I was stuck there on my awful little hard stool between two shitheads too vain to get glasses who constantly tore mine off my face, without request or warning, when they needed to read something off the board.  I was quite convinced that when I entered that room, some lever was pulled that actually warped spacetime to make one hour into five.  One day it was so terrible that I wept, quiet and unseen.

This sort of dehumanizing, life-draining bullshit is what they do to prisoners to break them.  We do this to our children, every day.  Before I went to college, school was a veritable Calvary.  The most stimulating classes were, at best, barely tolerable.  They did teach me something valuable: how to float outside myself, how to ignore authority in a way that looked like cooperation in order to be left alone.  Most children are not gifted with my strange little mystic tendencies, however.  They will make their suffering known.

You might ask how I wound up working in, of all places, the educational system.  One of the reasons is that I wanted to give my students little glimmers of life from inside the grinding guts of the machine.  You will not believe how gratefully students react when you tell them something true, something a little wild that they are not used to hearing inside a classroom.  Literature is full of subversive elements, and bringing those out in an institutional setting can be liberating, thrilling even.  You don’t have to destroy the tidy little box society tucks you into, but sometimes–sometimes you really have to give it the finger.  Just that, just this tiny gesture of fuck you, I will not want what you tell me to want can be enough to stay alive.  I assure you, there are few things as wonderful as watching a room full of exhausted students domesticated by an oppressive educational system realize this.

What say you? (redux)

Hello fine readers!

So I’ve gone and changed the layout again.  As much as I enjoyed the panache of the previous layout, I had reservations about the FREAKING GIGANTIC HEADER.  It looked a bit totalitarian, like it was designed by Joseph Stalin.  Here is yet another poll.  I do love the poll widget.  Please let me know what you think so I can gauge if this design is more palatable to you than the last…

now it is my turn to say Squee

The headline above was the subject line of an e-mail I got from my editor this morning (I type “Squee” often when excited).  Her e-mail read:

Because we just got galleys!!  And they look GORGEOUS.  There are a few images that printed a bit dark, so we’ll make notes and see what can be done to fix them for the final (may have to reshoot some of the coins, in particular).

There is also an unusual mistake – the spin printed with RA/LB logo, but no title or author.  This is not great, obviously, but not the worst thing ever – we’ll sticker them before we send out any copies to reviewers, bloggers, etc.

I only got one early copy but the rest will be here in a day or so and we’ll send some your way.

My reply:

So this morning I had a writer’s wet dream.  I wrote this truly inspired paragraph (I really wish I could remember what it was about, all I remember is that it featured apples in some way) and when I hit the final period I felt this gentle tap on my shoulder.  I turned and there was JM Coetzee, who scooted me out of the chair and proceeded to write an extensive and very loving critique of said paragraph, which he signed “John Maxwell C.”  Then I woke up and there were GALLEYS AT MY DOOR.

Seriously, if I smoked, I think I’d have to light one up.

EeeeEEEEEEEeeeeEEEEEeeeee.

See, he wrote “John Maxwell C” instead of “JM Coetzee” because he loves me and only me.  My editor wrote back:

Ha!  But wait – do you mean galleys really WERE at your door, or is that part of the dream thing?

At which point I completely lost in the ability to format or punctuate properly:

They’re really heeeeeeeeeeeeeeeere

And my editor exploded into capital letters and question marks:

OH!!!  So – don’t they look AMAZING???  I mean, aside from the stuff you hate that we’re fixing??  I can’t stop admiring mine.

Then I passed out:

indeed forsooth yea and verily