al-kimiya

Of all the alchemists, I make the strongest pharmakon.  Sacrament remedy poison talisman cosmetic perfume intoxicant cure.  Cure for what ails you.  Drink it to die.  Drink it to live.  It will rip its way through the center of you like a column of fire.  There is no other who can brew one like mine.  Ask all the peasants and they will point to my hut while averting their faces.  They are afraid of me.  But at night they crawl to me like supplicants and offer me coin to give them what they need.

I don’t need your coin.  I am the alchemist.  I turn pain into coin, and there is plenty of that everywhere.  I don’t need your coin.  The way your eyes widen when you swallow what I have to give is payment enough.

Even if I were to give you a list of all the ingredients of my pharmakon and all their measures, you could not make it.  You would scream when the ball of fire rose from the cauldron.  Your blood is not strong enough for it.  Only I can stand there in the center of the flame.  Only I can burn and burn and burn and not be consumed.

You get the leavings, the ashen scrapings of the cataclysm, and you are grateful for that.  Tell me what you would risk for the tang of me on your tongue.  Tell me all of what you are and maybe I will devise a special concoction just for you, one that will destroy the whole world and birth it anew in your searing eyes. Pharmakeia pharmakon pharmakeus, can you tell me what is inside and what is outside?  Can you tell me what is body and what is soul?  Can you tell me what is present and what is absent?  Tell me, if you have the brain the spine the heart the stomach for it.  Tell me.  If you can speak through the burn you may be strong enough to study my discipline.

The Malebolge

It must have been I am here because I have asked to see this place.  When did I ask?  I cannot remember and my guide will not tell me.  What strikes me as I travel down the circles is how scarcely populated they seem to be.  I had expected more people.  Are they all in Heaven?  The virtuous pagans cluster around small fires in the vast emptiness where they dwell, a place that must have been constructed for a much larger population.  At the second circle where the wind picks up and flings those who could not deny their bodies’ need to give themselves up, my guide gestures at all the damned carried by cold gusts and says, “You.”

“Yeah, I know,” I say.  “I thought there would be more of us.”

On through the icy rain, past all the ones who could never have enough, those who push and pull weights against each other, past all the ones who gurgle in impotent fury in their mire, we come to the flaming tombs of the heretics.  “Hey,” I touch my guide on the shoulder, “there’s nobody here.  The tombs are burning nothing.”  “Well,” he says, “turns out God doesn’t care as much about heresy as He used to.  But here, there are more people in the three rings of the seventh circle, look at all the violent.”

Here they are all boiling in a river of blood, those who destroyed things and hurt others.  I look over the screaming multitudes, and note, “Yeah, there are a lot, but you know, for the whole history of the world, it seems like less than I would expect.”  My guide shrugs and leads me on through the forest of the suicides.  I look at the gnarled branches on the squat little trees.  I do not have the stomach to snap off a twig to listen to one of the shrubs sing its story in blood.  “Seems you do not have any quips or questions,” my guide observes.  “You were almost here.”  “I may be yet,” I answer.  “Well, try not to be,” my guide says.  It’s not pleasant.”

Past the trees is a flaming desert with flakes of fire wafting slowly down from the sky.  There is no one and nothing.  “Who used to be here?” I ask.  “Blasphemers and sodomites.”  “I’m guessing, God doesn’t care for them as he used to?”  “It is so.  He is very busy, you see–with them.  With Fraud,” he says, as he gestures to what comes beyond the narrow desert.  The eighth circle, the place for all the liars, built in stone ditches.  The Bolgie.  They are packed, so that the damned cannot move, so tightly are they pressed together–down as far as they eye can see, waning off into the blackness.  I cannot find the outer rim of the center circle, the place where Hell freezes over.  It looks as if this Malebolge goes on forever.  Nearly all the souls that I can see are covered in human waste, and sealed into lead cloaks gilded on the outside.  “Wait,” I say, “this is not what it’s supposed to look like.”  “It didn’t use to look like this,” my guide explained, “but due to the sheer number of the incoming, we did not have the resources to determine which is the liars were guilty more of hypocrisy, which more of flattery.  So we took them all and gave them the punishment for both.  More efficient, and apt, if you ask me.  You see this infinity of false humanity?  This is where almost all of you end up.  Packed here.   There is no one in Heaven.”

I watch in horrified silence.  Where is the end of this place?  It seems there is none.  “How far is the ninth circle?” I ask.  “It no longer exists,” explains my guide, “the heat from all Fraud’s bodies melted all the ice.  And Satan is dead.  Only us now.”

Among the shit-covered, lead-cowled penitent, a solitary woman stumbles backward, naked and groaning, her neck wrenched to that her head faces the back of her body, fat tears rolling off her face and onto her back.  “A false diviner?” I ask.  “Yes.  If you make yourself too much of what you already are, you could be one of those.  Which is a kind of honor, very few of the false are something else than plain flattering hypocrites.  Good luck finding a simoniac.  They’re in there somewhere.  If you would like to visit a few of your nation’s presidents, I could take you to the lake of pitch where the barrators still drown.”

I would answer my guide, except I am mute with distress–for here you are.  Yes, you.  I’d recognize your blank eyes and your pretty mouth no matter how much shit covered your face.  Can you see me, or are you too preoccupied by the weight of your leaden priestly robe?  Seeing you here with all the others, my flesh turns into pain, and I fear I will not be able to escape my own hand.  You, and everyone–liars.  Is that not enough to tear myself out of my body and turn myself into a tree?  Look up, darling, on the Day of Judgement, into the forest of those who have killed themselves, and you will see me, my corpse finally returned to me, its limbs tangled in my branches.  When you see me, I will know, and I will quake to make my body shiver for you as it used to when I was alive.  When I was in it.  When you were in it.  And maybe, if God is watching, He will laugh.

Catharsis FTW

Last night was incredible.  I got to watch what art is for.

———- Forwarded message ———-
Date: Sat, Jul 30, 2011 at 7:52 AM
Subject: commuting

Hi Elena,

I attended Stories on Stage last night even though it was Friday night and it required a 30-minute drive and I was leaving daughters at home who I’d barely seen all day because I was on deadline for my magazine and  . . . and . . . and . . .

. . . I’m so glad I did. Your short story, Commuting, has hung with me in a wonderful, inspiring way. Weird to say, given that it made half the room cry, including the actress who read it, but that’s just proof that it got under other people’s skin as much as it did mine. I did not cry, but I had a few moments of feeling intensely sick to my stomach, and it had nothing to do with the bones crunching and viscera the narrator’s childhood cat involved herself with under the bed. It was the narrator’s despair and the nothingness that comes with signing on for something so hollowing, so undermining. You don’t have to have engaged in adultery to know that stripped-by-layers devastation.

Thank you for a beautiful, rich story. I’m headed off to the Squaw Valley writers conference next weekend (my first one, as a fiction newbie) and part of the reason I set aside all my busy-life crap last night to go listen to stories was because I wanted the inspiration, the spark in the ass before I go plunk myself in the middle of almost 100 sure-to-be-better writers than me. So thank you for that, too. Your book is on my fall reading list!

Seriously, I can die now.  And I even made a little money selling a few books!  Yo G, I be droppin’ Hamiltons like I be Aaron Burr.

Thank you so much to Bonnie Antonini for a fabulous reading, and Valerie Fioravanti + the Stories on Stage crew for putting it together!

 

Well, it’s a rental.

Today, the awesome comes in two flavors: local and international!

(1) Local: Tomorrow night, Friday July 29th, my story “Commuting” will be performed by actress Bonnie Antonini at Sacramento’s Stories on Stage!  The show starts at 7:30 PM at the Sacramento poetry center on 25th street (at R).  So exciting!  Also terrifying!  But mostly exciting!

(2) International: 13 rue Thérèse was nominated for the Guardian’s First Book Award.  Sweeeeeet!  I just received a copy of the paperback edition for the UK (coming out in September; apparently they do paperback six months later over there rather than a year later like over here) and it is gorgeous–complete with a fabulous blurb from Simon Schama front and center: “A flirty, dirty tease of a novel.”  Rowr.

Also: some great write-ups for my book from the Commonwealth: Australia’s MC Reviews, South Africa’s TO>NIGHT, and England’s The Spectator.

With all this worldwide fame, I have to wonder why I still live in a messy apartment filled with dilapidated furniture mostly pulled from dumpsters, and carpeted almost entirely in old cat puke stains.  (Fortunately the carpet is cat-puke-colored, so the stains are invisible.  But if you scan it with a black light, it’s like a fucking House of Horrors in here.  Forensics EVERYWHERE.)

Well, I must decamp, because I have cats meowing at me for dinner.  Off to go refuel their squirty stomachs so they can juice up the last few square inches of our living quarters that don’t glow like a freaking nuclear reactor when swept with my Stinkfinder.  (Yes, that is what my hand-held black light is called by its marketing team–poetic, is it not?)  As the husband likes to say about our dwelling: “Well, it’s a rental.”

Is this about sex or is this about writing? Sometimes I can’t tell.

There are not many women out there in the wild country.  It is not particularly sane for me to go, but it seems I simply can’t help myself.  The ones I leave behind chide me for my restlessness but it only makes me laugh.  I can feel from the hum of the train that the furnace is full up on coal, the engine so hot that the metal swells against its fittings.  I sit looking out the window wondering where you are.  Are you having doubts?  Did you get held up on some last minute errand?  Did the horse pulling your carriage to the station have a heart attack in the middle of the street?

My heart thrums against the restriction of my corset, my legs sweltering in all their petticoats.  The bustle, the little black leather boots primly laced over the ankles, the white gloves buttoned over the wrists, the collar keeping my throat in its airless grip.  I am pretty good at wearing the garments of my civilization, but I am even better at being divested of them.  I will ride this train all the way to its terminus, all the way to where the Chinamen have not yet laid tracks.  Alone if I have to, but I’d much rather you came with me.  I very much hope the top hat I see moving swiftly through the crowd out on the platform is yours.  Catch this train; it’s going somewhere good.

A jolt shudders through the length of the entire machine–oh is there anything like the feel of imminent departure?  Is there any sound more stridently arousing than the steamy wail of that whistle?

All aboard.  Last call.

July events. And fish paste.

Come to Books Inc. in Berkeley tomorrow for a Bastille Day event with me and mystery writer Cara Black!  There will be wine and cheese and much frenchiness.  Cara is trying to talk me into singing the Marseillaise.  Seriously, you can’t possibly miss me embarrassing myself to this degree.

Also cool: my story “Commuting” is going to be performed at Sacramento’s Stories on Stage on the 29th.  I am very stoked and somewhat terrified about this (imagine some other voice performing your voice!).  Do take a look at the lovely interview Sue Staats did of me for the Stories on Stage blog.  If you come and someone in the audience bursts into flames from brain overload, that would probably be me.

I had the most fabulous dream: I was playing a Disneyfied under-the-sea videogame in which I had to go up all the levels of the ocean in order to reach the surface and ascend to meet Poseidon on Olympus.  I did it as a merman and everything was cool.  Then I did it as Ariel, the little mermaid from the Disney movie, and on the way up through the sky to meet my maker, I was sucked into the turbine of a jet engine.  It.  Was.  Awesome.

Either my unconscious was making some kind of commentary about inequality of the sexes, or it just wanted to grind some fish paste.

Girl, take off those seashells and give that lobster something to sing about.

Mutants! Zombies! Physicists!

Ahoy fine people!  I have just seen the last X-men movie in the theater.  It was passable entertainment, helped along by the fact that I want the man who plays Magneto to do dirty, dirty things to me.  Also, it imparts two important life lessons:

(1) Do not make Fabio angry.  He will fuck your shit up.

(2) Ladies: Always make sure you are wearing saucy black lingerie under your CIA duds so that you can strip and sneak into a sex party for world leaders at a moment’s notice.  Note: This only works if you are really hot.

Also, I have found a way to reset my brain after reading way too much about serial killers.  What did I do?  Did I look at nothing but pictures of kittens until the creepies went away?  Did I have chamomile tea and a heartfelt chat with a friend?  Did I go to the mountains and commune with nature?  Nope.  It turns out I detraumatized myself by watching a whole bunch of hideously gory horror movies.  Yep.  I don’t know why this actually helped.  Maybe because the violence was so cartoonish and preposterous that its power was catharsized away.

One of the movies I watched was Pandorum and it royally pissed me off.  Not strictly because it was shitty (if I got mad at every shitty movie, I would spend a lot of time mad), but because it was shitty but could have been awesome.  Why?  This is the part where SPOILERS SPOILERS SPOILERS so be warned.

The movie operated on the following premises:

(1) Spaceship bearing slumbering human cargo towards Earth-like planet is humanity’s last hope.  Spaceship crashes into ocean.  Spaceship is marooned in ocean while everyone aboard who is awake thinks that spaceship is still in space and freaks out with space madness.  There is an awesome reveal at the end when they look out the window to see sea creatures.  This is a fabulous premise for a sci-fi movie, please stop there, Pandorum.

(2) Pandorum says, “No, one premise is for bitches.  I also want to note that when the passengers have space madness for too long, they turn into flesh eating zombies.”

(3) WHAT?  Oh, and also, Dennis Quaid is Tyler Durden.

What the fuck.  Seriously, Pandorum, you should have stopped after (1).  The script is so ludicrous it reads like eight scripts thrown together in a blender resulting in a movie that was such hash that I was rewriting it while I was watching it.  Fuck you for making me work while I was supposed to be entertained, Pandorum.

So, watching this debacle made me hanker for a movie about space madness that executed itself well.  I remembered having the shit scared out of me by a movie called Event Horizon about ten years ago, so I ordered it on Netflix.  It did not disappoint.  I mean, it wasn’t transcendent or anything, but it suspended disbelief adequately enough that I was not script doctoring while watching it.  Also, it featured Sam Neil being all broody and insane, which is awesome, and Lawrence Fishburne being all broody and stoic, which is just hot.  It also featured one of my favorite hammy premises, which is that physicists are really all homicidal maniacs.  I am married to one, so I dig that.  What can I say, I enjoy a good frisson.

This is what happens when people are empty.

I just did a bunch of stuff to my blog!  I put all three covers of my book’s editions published so far under the “13 rue Thérèse” tab, and will keep adding them as they get published.  (I think France is next at the end of this year.)  Also, each tab now has its own header, different iterations of the same photograph in various PhotoFunia montages.  Is it awesome?

It was nice to go all OCD for a while on something that is not terrifying.  A few days ago, I watched a two-hour interview with Jeffrey Dahmer and his father.  Then afterward I went on a huge google binge about American serial killers.  And then I went to bed.  My advice would be, now that I have done this: do not do that.

I have effectively fucked myself in the brain for this whole week.  Some of the specimens from my ill-advised google binge:

Backwards through time:

  • Ted Bundy, 1946-1989, good-looking dude with crazy gleam in his eye.  Raped and killed a stunning number of young women (30 confessed, actual number unknown).  Necrophiliac.  Interstate murder sprees.  Represented himself at trial.  Executed.
  • Albert Fish, 1870-1939, scruffy old gent who tortured, mutilated, raped, killed, and ate children.  Seriously.  If you ever want to sleep again, do not read the letters he wrote to the families of his victims.  A masochist as well as a sadist.  Made psychiatry look damn bad when he was diagnosed as “sane” so he could be executed.
  • H.H. Holmes, 1861-1896, one of the original American serial killers.  Harvested victims from the Chicago world’s fair, usually single young women who stayed in his hotel/”murder castle” (outfitted with various torture chambers and body processing amenities).  Raped, tortured, killed and stripped his victims of flesh–then sold their skeletons and organs to medical schools.  Really.

So, you see, I have fodder for nightmares for quite a while.  Also, here is something that I find just as disturbing as the horrific crimes committed by these severely fucked-up individuals: the shocking amount of time these dudes operated with total impunity.  I mean, holy shit.  Holmes built a fucking hotel with gas chambers and lime pits in the middle of Chicago.  And none of the representatives from the medical schools ever asked him, dude, where do you keep getting all these skeletons?  Sometimes total human indifference is as unfathomable to me as the most depraved evil.  You might remember this story about Dahmer if you paid attention to his trial in the early 90s: one of his victims, a 14-year old boy, escaped when he woke up from his drugged sleep while Dahmer was off doing something.  The boy went stumbling out into the street buck naked and ran into these two women.  He was terrified and incoherent.  They called the police.  The police showed up.  Dahmer had the balls to show up too and collect this kid from the police despite the two women pointing out that the kid was clearly scared of him.  Because the testimony of two black chicks and a kid drugged out of his mind weighed nothing against the soothing words of one calm white dude, the police escorted the kid back to Dahmer’s apartment.  They took Dahmer’s ID but did not ask him to show them around the place despite the weird smell emanating from the bedroom.  They delivered the kid right back into the nightmare.  They left him there to be raped and killed and chopped up.  Dahmer kept his skull as a trophy.

This is what happens when people are empty.

Right now I am going to pretend that I am not a human being.  I am a fallen leaf.  I dance on the wind and decay gently into the ground with no scent.

I am a mirror.  If you do not like the image I cast, it is none of my business.  If you smash me into pieces, all you will do is make your hand bleed.  Watch out, the edges are sharp.

whistling past the graveyard

Holy mackerel, how did it get to be June already?  I sort of hadn’t noticed because the weather has been unusually cool and rainy for California lately, but today all of a sudden it’s summer.  I realized this peeling off my sweat-drenched corduroys after walking home from downtown this afternoon.  Time for sundresses.  Also time for love for some type of finch.  The air is alive with tiny dancing birds.  One of their spiffiest moves is tucking their wings in and diving straight for the ground, then pulling up in a fast graceful U as low as possible. I am guessing this is the male display. They must get extra sexy points for doing it over concrete.

My cat just expertly skated the line between totally gross and kind of endearing when she stuck her whole head inside my sweaty sneaker after I took it off and huffed passionately. Yum! Fresh mommy juice.

So.  I finally wended my way past 20,000 words for In the Red, which is just about the place where this book collapsed spectacularly last time I was writing it.  So I printed the sucker out and scanned over it to see if it collapsed again.  It seems not, but I don’t quite trust myself.  I feel a bit like I’m whistling past the graveyard.

The 20K mark happened in the middle of a sex scene I was writing with a cat on my lap.  For a while I was even typing one-handed, not for the reason you might expect but because the cat had to hug my left wrist to rest her head on my arm and how could I take my left hand back when she was purring so blissfully?  Seriously, she totally took me hostage.  After I was done writing for the day, I really had to get up and start getting ready for my anniversary dinner (seven years married, a dozen together) but every time I tried to move the beast, she’d made the most piteous complaint imaginable. Then she’d purr when I petted her head, totally draining my heart of the will to get up.  I considered calling the jaws of life; she’d been on my lap so long I couldn’t feel my legs.

Eventually I managed to pick her up very gingerly with the flats of both hands, keeping her in the same curled up position she was in on my lap, then got up and gently placed her on the chair where I had just been sitting, in the warm spot from my butt. She gave me a bleary-eyed look and went back to sleep.  I put on a pretty dress and some nice underthings and went to the city with the husband for foie gras and boeuf bourguignon and chocolate mouse and macarons.  Aw yeah.

But now I am back at my desk once again wondering where the book is supposed to go next and looking at the maw of the abyss while reflecting that the year is half over but this book is nowhere near half over. Help!  Hold me.   Where is the cat?  I need a cuddly distraction.

Dudes. MFAs are not that bad.

Why are so many writers so angry at Creative Writing MFA programs?  Do artists of all stripes loathe academic departments where their craft is studied?  Are there a bunch of actors and musicians out there who are really pissed off at performing arts schools?  I am genuinely puzzled at all the vitriol that seems to surround the MFA question when you throw the topic at a bunch of writers.  I don’t understand why I so often run into columns discussing MFA programs as if (1) they are really important and/or (2) they shot the author’s dog.  Chill, dudes.  I went to one so I thought I’d attempt to reply to some of the most common criticisms of this much-reviled but ever-proliferating beast, the Creative Writing MFA Program:

Creativity can’t be taught:  Okay, sure, talent can’t be taught.  But craft can.  Just ask Bob Ross and his happy little trees.

Young writers shouldn’t coop themselves up in a graduate program; they should “go out and experience the world:”  This argument is always delivered with the assumption that graduate programs aren’t part of The World.  They cannot approach the realness of, say, working at an Alaskan fish processing plant.  Okay, lean in for a second while I tell you a secret: writing material comes from people, mostly the fucked up ones.  There are people everywhere, even in MFA programs, and a lot of them are fucked up.  Just watch them.  If you pay enough attention to people wherever you are, they can be used for any piece of writing you like. You could even write a novel set in an Alaskan fish processing plant based on the tortured rich kids in your writing workshop.  I promise.

MFA programs homogenize writers’ voices and worsen the general mediocrity of American letters: This argument always assumes that writing was just better in the good old days, neglecting the fact that the stuff we read now from one hundred years ago is the stuff from a hundred years ago that survived a hundred years.  So, presumably, the best stuff.  It’s been through the strainers of time.  The stuff that’s being published now looks generally crappy by comparison because it hasn’t been vetted by history yet.  (Can you imagine how much poetry must have fucking sucked in Restoration England if goddamn Alexander Pope is the best that came out of there?  Holy fuck.)  Also: if you have the kernel of a unique and compelling voice, an MFA program will not ruin you and make you sound like everybody else, I promise.  It will make you realize what you don’t want to sound like.

MFA programs allow shitty writers to delude themselves that they don’t suck and send them out all fluffed up into a world of disappointment: I think this is mostly false, because there is no way you can make it through an MFA program without thinking that you suck.  Your work will be spreadeagled and pecked over so thoroughly that you will be quite convinced that nobody sucks at writing more than you.  Yes, graduate study is a move towards validating yourself as an artist, but it is also intensely grueling, and may make you decide that you don’t want to do this after all, which is totally okay.  I would argue that the regular beatdowns you receive in MFA programs actually prepare you for the world of disappointment to follow, and that if you get your stuff published, you won’t even blink at being edited because you learned to take your punches like a man in graduate school.

All these domesticated writers in their dinky academic detention centers are ruining the romance of the Author, who should presumably be drinking and screwing a lot and shooting large animals somewhere: Plenty of drinking and screwing goes on in academic detention centers.  If you must shoot large animals, there are a couple of MFA programs up in Alaska.  You can get a huge husky and name him Frostbane, go out into the perpetual snowy night to blow away some bears, and even visit that fish processing plant if you like.

Please don't shoot me. Work on your paragraph transitions instead.

MFA programs are a pyramid scheme, fleecing stupid young people with dreams.  Yeah, kind of.  Honestly, I still feel like a bit of a dumbass having taken out a bunch of student loans to attend one.  So do careful research into MFA programs, and apply only to the ones that will fund you.  If you don’t, well, you will probably feel like a bit of a dumbass for having taken out a bunch of student loans for what is mostly a pretty useless credential.  But, you know, it’s just money.  There are worse decisions you could have made than plunking down a bunch of it to take a couple of years off to write.  If you have made that mistake, take comfort in this List of Life Decisions That Are Worse Than Taking Out Student Loans For An MFA:

  • dating a drug dealer
  • being a drug dealer
  • simmering your whole life in a shitty job you hate without ever trying to go after your dreams
  • tattooing the whites of your eyes
  • meth
  • wearing leggings as if they were pants
  • appearing on reality TV
  • loving someone who treats you badly
  • joining a cult
  • visiting England for the food
  • meth
  • taking out more student loans for two MFAs

You’re welcome.